The blacksmith slipped the vial against his chest, feeling the thin glass, a hint of cold despite the warmth of the workshop. Some evenings, he would take it out, turning it in his hand, mesmerized by the bluish reflections that traveled across its surface, like tiny fins in the depths. He found something alive about it.
Once the work was finished, he liked to stay alone by the fire, the vial before him, watching how the flickering light seemed to fill it with memories. It was as if the fairy, in departing, had left behind her voice, or a secret thought, or perhaps a fragment of that world that remained forbidden to men.
The murmur of the days resumed each morning: the sound of the hammer, the smell of wood, and the fine iron dust that soiled everything.
One morning, a young woman, whom he initially mistook for a child because she was so small, appeared at the forge. This wasn't a place women usually went. It was more often young men who "chose," at least in their minds, the sword they couldn't afford.
The young woman was trembling. He sat her down by the forge fire. Water stains darkened the blue of her dress, her sleeves were damp, and her wet hair was hastily braided. She looked as if she'd come from the river. Perhaps from the rain, or a sudden escape along winding paths.
The blacksmith held out his hand to greet her, but she hesitated, then finally placed her icy fingers in his rough palm. He could feel the harshness of a life devoid of domestic comfort beneath her fragile skin. Her name was Sylviane. The forest. She called herself child of the forest. The name pleased her and lingered in her mouth long after she had uttered it, like the taste of fresh grass or the sting of a nettle.
She wanted a key. But not just any key: a key that would work, even if the lock decided to reject it. A key to force a door, without anyone ever knowing it had been forced. The blacksmith's first thought was to reply that he wasn't a locksmith… but she was so beautiful! He chose a piece of metal of a suitable size and thought.
As he often did when his hands were free, he slid one against his chest to touch the small, magical vial. The presence of the glass against his skin became increasingly distinct, almost warm now, unsettling. The young woman's words, quickly murmured, swirled in his head like metal filings around a magnet. A key to make the door obey, but without knowing… She had said it in a tone that was both urgent and resigned, as if she had just realized that she would have to ask for this favor, without ever having wanted to.
He placed the iron bar on the anvil. The clanging was a little too loud, startling Sylviane. She didn't jump, but her jaw tightened. He began to work it, slowly, trying to lose the metal's original shape, to make it forget its past as a simple rod. As he worked, he glanced furtively at the young woman and noticed that she was watching him, or more precisely, watching his massive hands shaping the metal with surprising precision, his thick but agile fingers dancing across the surface that was gradually glowing red. The knuckles, blackened by daily labor, contracted and relaxed beneath the tanned skin as his imposing thumbs guided the metal's transformation with unexpected delicacy.
Every movement of his broad palms revealed years of practice, the forge light casting shifting shadows in the crevices and calluses of his powerful hands. Had one been able to taste the air around his hands, one would have found that metallic, mineral flavor that permeates even the saliva of men who forge day after day. His lips, which he sometimes moistened as he worked, must have known that unique taste of salt and metal that lingers on a blacksmith's fingers, a taste of labor that becomes almost a signature.
Sylviane told herself that such hands couldn't be evil, that she had been right to come to the forge, even though chance had led her there rather than her own will.
At regular intervals, he would put down his hammer to think, and one of his hands would slip under his shirt, without him even noticing. Sylviane caught a glimpse of the vial and asked what he was touching.
The blacksmith took out the bottle, which was held around his neck by a leather thong, and explained where it came from. Sylviane smiled.
"Ah! You're that blacksmith!"
Seeing his questioning look, she explained: "The blacksmith who saved my sister from the cobweb."
He was speechless for a moment. He had stored this precise memory in the large chest of unusual things, near the bottom, under a layer of other, less striking anecdotes. A sister, then, and she knew him by reputation. He had never seen himself as someone being talked about.
“Yes, it was a long time ago,” he said, almost reluctantly.
“Not so long ago,” she said, her eyes shining, “for my sister, it was yesterday.”
He was wary of fairy tales and invisible debts, but Sylviane had said it without malice, as one might mention a passing rain or storm. She stood straight, her fingers folded in her lap, looking at him with calm, serene attention.
He wondered for whom, for what, she needed a key. Wasn’t she a fairy herself? Couldn’t she appear wherever and whenever she wished?
She laughed. The laughter escaped, clear and without echo, breaking the silence like a pebble in a pond. There was a youthful clarity to the sound, a bright note that lingered like the ringing of a distant church tower. It was like the sound of a million delicate bells ringing in unison, a pure and joyful expression, a true fairy laugh.
“Appearing and disappearing… if no one stands in its way.”
Sylviane told the blacksmith that she had rejected the advances of an old leprechaun, and that he was taking his revenge.
“Your people believe that leprechauns are kind little people, but they age faster than fairies and become bitter. Furthermore, they grow bald and pot-bellied, their noses grow longer, and so do their ears.”
The blacksmith laughed as he looked at the metal rod that was beginning to resemble a key.
“If you place the vial my sister gave you on this rough key, the magic will transfer from one to the other, and the key will open the door the goblin locked.”
The blacksmith did as Sylviane advised. When the vial touched the key, he felt something leave him and a pang of disappointment. Like a shadow of sadness.
Sylviane pocketed the key. “I’ll be able to go home.” Relief pierced her voice. She approached the blacksmith and slipped her hand under his shirt to touch the delicate vial. He felt something return to him, a feeling of joy and peace.
“Will you come back?” he asked. Then he added, “Before my nose and ears grow longer.” Sylviane laughed: Her laughter was like a delicate waterfall, cascading with a unique and enchanting sound that filled the forge with joy and wonder.
“You are too kind to be disfigured.” She stepped away, turned back, and called out to him, “I will come back and ask you your name.”
Then she disappeared into the forest.